FLESHGOD APOCALYPSE DELIVERS BAROQUE METAL MASTERPIECE
‘I CAN NEVER DIE’
NEW ALBUM, OPERA, OUT AUG 23RD
Italian Symphonic Death Metal maestros FLESHGOD APOCALYPSE have released the latest single, ‘I Can Never Die’, from the band’s long-awaited 6th studio album, Opera, that’s due out August 23rd from Nuclear Blast Records. Accompanied by the stunning music video by visionary director Martina L. McLean, ‘I Can Never Die’ is a crushing sonic tribute to artists and their enduring works.
Commenting on the song, frontman Francesco Paoli states:
“Memory is the strongest force in the universe, as it’s the one and only that can give us immortality. It can’t be deceived or shaped to our liking as, in the end, we are what we do and what we leave to posterity faithfully reflects what kind of men and women we’ve been. Some people don’t give the right value to their actions, focusing on immediate profit, and forgetting that our choices have a decisive impact on our and other people’s existence. Especially when you are an artist. It’s essential to remember that everything we create outlives us, it has a life of its own and, once it’s brought into existence, it belongs to everyone and we have no more control over it.
Death can occur abruptly any time and there’s no chance to change what it’s done, once we’re gone. As far as I’m concerned, one of my first thoughts when I realized that I could have died was “who have I been” and “what am I leaving behind”. I recollected my whole life and figured out how much determination, sacrifice and honesty I’ve put into art and that made me so proud that I would have died in peace.
That’s why we wrote this song, which is nothing but a glorious anthem for all those who commit their existence to art in the purest possible way.“
Director Martina L. McLean adds about the music video:
“‘I Can Never Die’ is the third video created by me and my team, Sanda Movies, in collaboration with Fleshgod Apocalypse, for the Opera cycle. For a song with such a profound and universal meaning—a true anthem to the value of art and the artist—I wanted to contribute to the visual aspect by creating an experimental video, entirely guided by inspiration, lots of different approaches, techniques, and obviously too many of hours of editing. Drawing from the infernal and chaotic masterpieces of Hieronymus Bosch, but ranging through styles and times, the band brings to life infinite, hypothetical paintings. As always, my applause goes to the band, who always give their best, both in the most extreme sets and in those where everything is left to the imagination.”
Stream ‘I Can Never Die’: https://fga.bfan.link/i-can-never-die
FLESHGOD APOCALYPSE recently announced their return to North America in support of the impending release for a co-headline tour with SHADOW OF INTENT, and support acts INGESTED, THE ZENITH PASSAGE and DISEMBODIED TYRANT, which kicks off September 14th in Cleveland, OH and wraps on October 15th in Denver, CO.
Purchase tickets at https://theblackopera.soundrink.com/
FLESHGOD APOCALYPSE Tour Dates:
9/14 – Cleveland, OH – House of Blues
9/15 – Chicago, IL – Metro
9/16 – Bloomington, IL – The Castle Theatre
9/18 – Detroit, MI – Saint Andrew’s Hall
9/19 – Toronto, ON – The Opera House
9/20 – Montreal, QC – L’Olympia
9/21 – Ottawa, ON – Brass Monkey
9/22 – Worcester, MA – New England Metal & Hardcore Festival
9/23 – Brooklyn, NY – Warsaw
9/25 – Reading, PA – Reverb
9/26 – Baltimore, MD – Baltimore Soundstage
9/27 – Charlotte, NC – The Underground
9/28 – North Myrtle Beach, SC – House of Blues
9/29 – Tampa, FL – The Orpheum
10/01 – Austin, TX – Come And Take It Live
10/02 – San Antonio, TX – Paper Tiger
10/03 – Dallas, TX – Granada Theater
10/04 – Oklahoma City, OK – Diamond Ballroom
10/05 – Albuquerque, NM – Sunshine Theater
10/06 – Mesa, AZ – The Nile Theater
10/08 – San Francisco, CA – DNA Lounge
10/09 – Sacramento, CA – Ace of Spades
10/10 – San Diego, CA – House of Blues
10/11 – Riverside, CA – Riverside Municipal Auditorium
10/12 – Las Vegas, NV – House of Blues
10/13 – Salt Lake City, UT – Metro Music Hall
10/15 – Denver, CO – Ogden Theatre
FLESHGOD APOCALYPSE are finally back with their brand new, 6th album titled Opera, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021.
Due out August 23rd via Nuclear Blast Records, Opera is structured like a 10-act theatrical piece, as the title itself, Opera, draws a clear thread with the everlasting tradition of Italian classical music theater combining it with the epic brutality of death and symphonic metal, which has become their trademark sound. Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that FLESHGOD APOCALYPSE are renowned for: sheer violence, majestic orchestrations and soaring melodies. Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi. The cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age.
With this new record, FLESHGOD APOCALYPSE are setting the bar even higher than before, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.
Opera Tracklisting:
1. Ode to Art (De’ Sepolcri)
2. I Can Never Die
3. Pendulum
4. Bloodclock
5. At War With My Soul
6. Morphine Waltz
7. Matricide 8.21
8. Per Aspera Ad Astra
9. Till Death Do Us Part
10. Opera
About FLESHGOD APOCALYPSE:
Formed in 2007, Italian Symphonic Death Metal maestros Fleshgod Apocalypse are finally back with their sixth and brand new album titled Opera, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021:
“The best stories always come from pain, it’s a bitter truth yet undeniable” says Francesco. “That’s why human struggles have always been an unending source of inspiration for artists throughout history. But one thing is creating art that gives voice to someone else’s tribulations, another is accepting to bare your soul to the world and reveal your weaknesses and frailties, while attempting to turn them into new resources for your own creativity. It’s a dangerous game, since we never know what our twisted mind has in store for us, but it’s a game you must play if you really want to bring your art to the highest level and leave a trace that has a deeper meaning, not just mere entertainment for distracted people.
After my fall while mountain climbing, I woke up in a hospital, underwent several surgeries, constantly getting terrible news and spending many months not knowing if I would ever be able to play an instrument again. I felt condemned. Fear, painkillers, wheelchairs have been daily food for my frustration. Retracing what happened that day, as well as the days, months, years after, has been such an exhausting and frightening journey, in which I had to face my demons once again and deal with memories I hoped I had left behind.
Was all this worth it? Let the others tell. All I can say is that, although it was clear that this was the right thing to do, we could not even remotely imagine how strongly this process would have affected our songwriting, igniting our creativity and reinvigorating our attitude after years of deep coma due to the pandemic. We managed to turn one of the worst things in life into a work of art, that embodies our personal and artistic growth and takes the listeners on a rollercoaster of emotions, where they can experience what I’ve been through hand in hand with me. It’s a waking nightmare but that’s how life is sometimes, just scary.”
The whole album is structured like a 10-act theatrical piece, as the title itself, Opera, draws a clear thread with the everlasting tradition of Italian classical music theater and its icons, from Giuseppe Verdi to Giacomo Puccini, combining it with the epic brutality of death and symphonic metal, which has become their trademark sound.
On the trail of such powerful heritage, embodied by Veronica Bordacchini’s outstanding vocal performance, each chapter enlightens a different angle of Francesco’s story, both musically and lyrically.
Francesco adds:
“In my visionary representation of this journey, that begins with my near death experience and culminates in a much desired physical and psychological rebirth, I wanted to frame every single step of my calvary, as if they were acts of an “Opera Lirica”, with dialogues or even confessions to imaginary characters, who have been constant presences throughout my whole (mis)adventure.
Death, Life, Hope are among these entities, masterfully interpreted by Veronica, that from time to time assist or prevent me from digging deeper in my memory and personality, examining objectively my emotional states and behaviors and finding a sense to all this.
This album tosses you in a vortex of discomfort and uncontrollable feelings, where you can experience pain, fear, desperation, anger, frustration, but also resolve, courage, hope and a profound desire for redemption.
In fact, besides being grateful for the privilege of sharing my personal experience through Fleshgod Apocalypse art, I strongly believe that this album is a solid manifest of resilience, and I hope that my story will inspire people who got “lost” for whatever reason. Since the accident I’ve been posting on socials about my rehab and received hundreds of messages of appreciation for that. People need motivation, need examples that can make them restart believing in themselves. And for me, this is part of the game, this is the best way I can give them something back after all these years of loving support.
Life is a wonderful thing, even when everything around us seems to be falling apart we must find a meaning for existing and, unexpectedly, sometimes second chances can be way more exciting than the first ones.”
Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that Fleshgod Apocalypse are renowned for: sheer violence, majestic orchestrations and soaring melodies.
While showcasing new maturity in songwriting, the album retains a strong stylistic bond with the band’s previous efforts, from the furious blast beats of ‘Mafia’ and ‘Agony’ to the epic, grandiose atmospheres of ‘Labyrinth’ or “King”, along with the unquestionable technical prowess that made Oracles and Veleno instant classics among fans of the genre.
Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi.
Born in 2007, Fleshgod Apocalypse quickly established themselves among the leaders of symphonic death metal.
As of today, some of their most acclaimed releases such as Agony (2011) or King (2016) are still considered milestones by fans and critics alike. With this new record, they’re setting the bar even higher, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.
For sure, this won’t sound surprising for anyone who has witnessed one of their intense live performances.
The band is now preparing a huge worldwide touring campaign in support of this new masterpiece.
Fleshgod Apocalypse are now ready to take everyone to “Opera”.
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