SPIRITWORLD announces third album, Helldorado; new single “Abilene Grime” and official music video streaming now – LISTEN/WATCH NOW
From Las Vegas, Nevada, SpiritWorld announces the upcoming release of its third album: Helldorado.
The follow-up to 2022’s acclaimed Deathwestern, Helldorado will be released March 21, 2025 on Century Media Records.
Pre-order Helldorado and stream the album’s opening track, “Abilene Grime,” HERE
Stream the official “Abilene Grime” music video, at THIS location
Visit the band’s official merch store with exclusive vinyl and Helldorado merch, HERE
SpiritWorld founder/frontman Stu Folsom offers these words: “I am thrilled to share
that our new album, Helldorado, will be available everywhere, March 21st. We took
most of last year off from playing shows, to hunker down and make this record
with Sam Pura at the infamous Panda Studios.”
Helldorado is the third chapter in SpiritWorld’s infernal saga. The iconoclastic Folsom
has been building the SpiritWorld universe since 2020, beginning with the band’s
debut, Pagan Rhythms, and blossoming on sophomore album Deathwestern, both
released on Century Media. Distinct from any other band in the scene, SpiritWorld
thrives in its own aesthetic realm, a place where thrashing hardcore, Wild West stylings,
and supernatural horror dwell in macabre harmony. Clad in matching Western suits,
Folsom and his boys have traveled the world with the likes of tours with Obituary,
Municipal Waste, Kreator, Sepultura, Stick To Your Guns, and Agnostic
Front. More than a musician, Folsom is an author too, and SpiritWorld’s music goes
hand in hand with Folsom’s writings. The first two albums were soundtracks to his
book, Godlessness, a series of Lovecraftian horror tales set in a fictional Old West.
Assessing the anomaly that is SpiritWorld, Stereogum has hailed it as “a gory symphony
that owes as much to Slayer as Cormac McCarthy” and as “a whole fleshed-out
universe of pulpy sonic violence inspired by Westerns, horror, outlaw country, the
occult, and the heavy metal classics of the late 20th century.” Revolver Magazine has
stated: “Their cinematic cowboy outfits, the Wild West lore in their songs, their off-the-wall music videos — all of it feels more like a multi-disciplinary art project than a mere
metal band.”
Now, with Helldorado, Folsom will demonstrate that everything thus far was merely the
prelude. SpiritWorld is just getting started. Helldorado cements the band’s brands while
making new moves that show the breadth of the potential in store.
A 3-minute hellride, opening track “Abilene Grime” begins as a feisty honky-tonk shuffle
then transforms into a Slayer-strength fist-pumper that thrashes straight into the abyss.
The official “Abilene Grime” music video brings the song to life with cinematic grandeur,
depicting a doomed preacher’s descent into the underworld.
“When I wrote the demo for ‘Abilene Grime,’ it felt like the album really found its
identity and materialized out of the ether,” says Folsom. “It twangs, it bangs and it has a
sick video, directed by our dear friend Todd Hailstone, which we filmed in Las Vegas
a few weeks ago. Enjoy, everybody!”
Across Helldorado’s ten tracks, SpiritWorld indulges in metallic hardcore blitzes, world-
weary country-punk stomps, and even a wistful, finger-picked lament. Folsom explains
the diversity of the music: “This record, more so than the last two, I think you hear way
more fearlessness and confidence in the choices. Things that were showing up as
interludes have manifested into fully fleshed out pieces. At its heart, Helldorado is a
punishing, unrelenting masterclass in crossover and hardcore thrash. But in a scene
where every riff has been played before and every great band has thirty contemporary
acolytes mining their catalog and doing worship albums, there is something in the
strangeness of Helldorado that makes it endearing.” Guests on the album
include Sgah’gahsowáh (Black Braid), Zach Blair (Rise Against), and Frederic
Leclercq (Kreator).
Folsom continues: “Maybe it is a risk to incorporate things that will be pretty far out
there for the casual punk or metalhead, but having the opportunity to make a record
comes with a responsibility to me. I dreamed of making records for so long. Way before
I could play guitar or do any of the practical things you need to be able to do. I take it
very seriously to follow my gut and let my style hang out on these records. I only want to
do things in life that I am all in on. If that makes me an outcast or even more fringe than
your average underground music act then that’s okay. The stench of being genuine is
beautiful.”
Lyrically, Helldorado explores new territory as well. While SpiritWorld’s first two
albums were companion pieces to Folsom’s book, Godlessness, Helldorado moves
beyond that book’s pages, to tell the story of what happens next. “Godlessness leaves off
in a cliffhanger where all the surviving characters have managed to arrive at a villa in
Mexico near where a rumored gateway to hell is said to exist,” says Folsom.
“Helldorado is the first glimpse that fans will get into some of what is unfolding in the
next novel that I am working on, that tells the story of what happens with these
characters and the gates of hell.
“Helldorado tracklist:
1) Abilene Grime
2) No Vacancy in Heaven
3) Western Stars & The Apocalypse
4) Bird Song of Death
5) Prayer Lips
6) Waiting on the Reaper
7) Oblivion
8) Cleansing
9) Stigmata Scars
10) Annihilism
Helldorado lineup:
Stu Folsom – vocals, electric guitar, acoustic guitar, back ups, MIDI drums, sampling,
synths, percussion
Preston Harper – drums
Nick Brundy – backing vocals
Matt Schrum – backing vocals
Randy Moore – lead guitar
RJ Demarco – saxophone, acoustic guitar
Jerico Horca – organ, keyboard
Sam Pura – bass, backing vocals
Theresa Brown – backing vocals
Sgah’gahsowáh – vocals on “Oblivion”
Zach Blair – electric guitar solo on “Oblivion”
Frederic Leclercq – electric guitar solo on “Stigmata Scars”
Helldorado credits:
All music and lyrics written by Stu Folsom
Engineered and mixed by Sam Pura
Mastered by Alberto de Icaza
Additional engineering by Stu Folsom and Theresa Brown
Cover art by James Bousema
Layout and design by Stu Folsom
Band photo by Jasmine Garcia
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