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It may seem like a surprising choice of song to cover, but the band has a powerful connection to the track on several levels.
“Long before we ever got signed, we played a VFW show with Twenty One Pilots,” says vocalist/guitarist Steve Cobucci. “We were just local Columbus, Ohio bands trying to get out there and make some fans. They definitely did not fit the rest of the bill, but they were undeniably unique.”
He continues, “Fast forward years later and their incredible gifts are being seen and appreciated globally. Something they do so well is expressing dark and somber moods in their music without sacrificing memorability and melody. ‘Heathens’ has a really cool arrangement that allows the listener to experience the chorus in a few different ways throughout the song. The dynamics of the song left an open landscape for us to put our own fingerprint on it.”
He finishes, “As well, the lyrics carried a very relatable sentiment that could be seen and interpreted on a few different levels. The way that we saw the lyrics was telling people to be careful about judging each other. To understand the uniformity that we are all the same. Appearances can be deceptive in how we perceive each other, but at the core, everyone has their own struggles, brokenness, and demons. It’s actually a pretty powerful call for empathy that we really connected with.”
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Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.
The small-town Ohio-based five-piece band built the foundations for the album’s 13 songs during the pandemic shutdown, shaping diverse tracks like “Shadows,” “Peace That Starts The War,” and “No Tomorrow” into stunning confessional epics. Wolves at the Gate’s audience treasures each of the band’s best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include “Counterfeit,” “A Voice in the Violence,” and “Drifter” (from 2019’s Eclipse); “Asleep,” “Flickering Flame,” and “War in the Time of Peace” (from 2016’s Types & Shadows); “Relief,” and “The Bird and the Snake” (from 2014’s VxV); “Dead Man,” “The Harvest,” and “Slaves” (from 2012’s Captors), and “Heralds” (from 2011’s We Are The Ones).
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass